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With each successive film
Love Letters
and composer Terence Blanchard
New profile of cinematographer Ralf Bode
Rigorous and complex
Merrily We Go to Hell Format:Blu Ray With each successive filmAddiction, nonmonogamy, and female sexual liberation: decades before such ideas were widely discussed, Dorothy Arzner, the only woman to work as a director in 1930s Hollywood, brought them to the screen with striking frankness, sophistication, and wita mature treatment that stands out even in the pre Code era. Fredric March (in one of four collaborations with Arzner) and Sylvia Sidney turn in extraordinary performances as an urbane couple whose
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